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Mehr Mansouri & Roya Movafegh
Founders
MISSION STATEMENT
Building
Character Onstage , the Children's Theatre Company is a non-profit organization
(now in its 8th year) is dedicated to introducing children and youth to
the incomparable magic of theatre, with a commitment to develop in each
child a keen sense of citizenship alongside their artistic achievements.
CTC promotes theater as a tool for active and analytical learning (rather
than prescribed and passive), combining a character and ethical education
curriculum that emphasizes a culture of inclusivity and service through
arts-- fostering in young performers a profound conviction that they are
the voices of positive change in society. In addition to its resident
theater in Greenwich Village, the Children's Theatre Company serves over
400 children a day through public schools in-school and after-school-,
as well as has been implemented into 6 national communities producing
the CTC Community Development Model (Satellite Productions) in Boston
MA, Fairfield CT, Vienna Virginia, Gaithersburg MD and soon re-opening
in Los Angeles, London UK and Cape Town South Africa. change in society.
CTC is not only dedicated to producing
and presenting high quality theater, but is rooted in the belief that:
| 1. |
Parents are not incidental
but integral to the growth and development of children and
artists. |
| 2. |
Audiences are not bystanders
but stakeholders in the “village” that raises
the child. |
| 3. |
Artists must encourage
an inclusive approach that nurtures not
only confident, creative and caring performers, but also those who
are keen to share the stage with their peers rather than to
claim it for themselves. |
| 4. |
The arts have a special capacity
to elevate and educate, by harnessing and supporting
the inherent nobility of children- early in their
development. |
ARTISTIC MISSION
CTC
exists to commission and present new and adapted pieces of professional
theatre that explore socially relevant and challenging issues
which face a global community. All performance pieces are especially
created by young people and professional artists FOR audiences of all
ages. CTC’s process involves perceiving and interpreting
the significance of current events in light of an appropriate
historical perspective- and finding an artistic expression of
that perspective through a multi-disciplinary approach utilizing
drama, dance, music and art. Thinking creatively, systematically
and strategically in search for both the right questions and
possible solutions. Forming a common vision of a desirable
collaborative presentation based on shared values and principles, and
articulating this in a way that inspires and challenges
the work both artistically and intrinsically.
CTC aims to:
| 1. |
Place the art at the heart
and the child at the center of the theatre
experience |
| 2. |
Create theatre which will stimulate
and liberate the imagination, the intellect and spirit |
| 3. |
Reflect, celebrate and
explore the richness of the diverse society in which we live
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| 4. |
Provide a context in which the
processes of making theatre can be explored, tested and developed
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| 5. |
Promote theatre as a necessary
part of the learning process for all young people |
| 6. |
Allow a young person to engage
with a wide variety of contemporary cultural, social, moral
and spiritual concerns |
| 7. |
Show the possibility of positive
social change- beginning with reflection upon action and
action upon reflection |
| 8. |
Bear witness to events
on the world’s stage and deal with universal themes |
| 9. |
Provide the opportunity to observe
the dynamics of human relationships |
| 10 |
Offer approaches to resolving
conflict |
| 11. |
Encourage questioning
and analysis |
| 12. |
Provide
a community development model of children’s
theater for replication in other neighborhoods and for national and
international populations with full performance, methodology and production
manuals for teachers, artists, parents and community stakeholders. |
THE CONTEXT IN WHICH CTC’S WORK IS CREATED
| 1. |
Identity, Diversity, Inclusion vs. Exclusion |
| 2. |
Culture of Service not Consumer Culture |
| 3. |
Creativity, release, possibility |
| 4. |
A.B.C.D. - Asset-based approach to community
development not deficit-based (empowering strengths of the community
rather than working from the ‘need’ / weakness) |
THE CONTENT: A CULMINATING EVENT SERIES
Final Performance Showcases explore:
| 1. |
UNITED NATIONS Theme-based
exploration (ie: Race Unity, Gender Equality, World Habitat,
World Religion, Indigenous People etc) |
| 2. |
Examination and spoken-word presentations
of the writings of peacemakers, thinkers, poets and prophets
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| 3. |
Music: Choral and Musical
Theatre |
| 4. |
Dance: Hip /
Hop, ethnic, musical theater |
| 5. |
Multi-media Art Gallery
Exhibition illustrating all themes and discussions with Hot
Chocolate House Gallery Discussion |
| 6. |
Spoken Word Revolution:
A Writing Performance Exhibition- A Response, a Retort, a
Reaction |
| 7. |
Post Show Discussion and
Q & A with children on various themes, topics etc |
| 8. |
Service Learning:
A collaborative service project as a symbol of artists-in-service |
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